Time is Running out

Summer in Words Writing Conference 2013

Cannon Beach shorelineYou don’t want to miss the stellar line up of professionals and bestselling authors. There are only 6 places left so if you’re planning on registering, please do so soon. Expect craft workshops that you can immediately put to use and inspiration that will propel you to your next steps. If you’re staying at the Hallmark Inn & Resort, make your reservation by May 20th to receive the group rate.
Hallmark Inn: 1-888-448-4449

This year’s theme: Deep as the Ocean

Keynote Speaker: Jonathon Evison

For information contact jessicamorrell(at)spiritone(dot)com.

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Y
ou don’t want to miss the stellar line up of professionals and bestselling authors. There are only 6 places left so if you’re planning on registering, please do so soon. Expect craft workshops that you can immediately put to use and inspiration that will propel you to your next steps. If you’re staying at the Hallmark Inn & Resort, make your reservation by May 20th to receive the group rate.
Hallmark Inn: 1-888-448-4449
This year’s theme: Deep as the Ocean
Keynote Speaker: Jonathon Evison
Friday Saturday Sunday

Workshops by:

Melissa Hart
Monica Drake
Randal Houle
Lauren Kessler
Jessica Morrell

Reception/Book Signing

Keynote: Kari Luna Persistence: One Part DYI, One Part Heart

Workshops by:

Monica Drake
Jessica Morrell

Keynote: Why Do We Do This Anyway? Evison

Characters: Deep as the Ocean, Evison

Out Loud/film
Workshop:
What’s in a Title? Morrell

Keynote: Kelly Williams Brown: Write Like it’s Your Job

Wrap up

(we end at noon on Sunday)

For information contact jessicamorrell@spiritone.com.

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An Interview with Monica Drake

Monica Drake by Bellen DrakeI contacted Monica Drake soon after her well-received novel The Stud Book was published. Her first book, Clown Girl, is a satirical comedy about a main character struggling to achieve her dreams. The Stud Book  portrays the middle age woes of four females who are friends since childhood living in Portland, Oregon. One reviewer says it’s about the messiness of life; that makes sense since it includes questions about how and when humans and animals reproduce. (hence all the rabbits on the book cover)  She’ll be teaching workshops on Friday and Saturday at Summer in Words. You can find her talking more about the writing life here. 

Q: Could you tell us a bit about The Stud Book, how it came into being, how the ideas first took hold?

A: There are two elements working together. A long time ago, I was young and held an internship at the Oregon Zoo. I spent hours there, watching animals, with a clipboard, recording animal behavior. At the time, the zoo had three infant Asian elephants. One of them was Rama, who is still there now. After that internship I went to London and then did other things, and didn’t get back up to the zoo much for twenty years, until I had a baby of my own. Then I took my infant to the zoo, the way all mother’s do, and that elephant, Rama, was still there. Now he’s grown up. I was back, watching him. I wish I could say he remembered me, that I was his beloved babysitter, but really I was just one more face in the roaming crowd to pass his enclosure. But after that, I spent a lot of time thinking about what it means to bring babies into the world. I thought about infant Asian elephants, and human babies, and all the endangered animals, and how much we, humans, can be essentially an invasive species, moving into areas and taking over. I had to find a way to consider my own conflicting emotions when it comes to the question of population and living anything close to a sustainable life on a fragile, crowded planet.
And then I looked for the comedy.

Q: I know you schedule writing around a busy schedule—how did you write this book in small increments at time, yet still create a unified whole?

A: I wrote two pieces as stories first. One, “Mr. Slips,” later became a chapter for a character named Ben. I wrote it for an event at Hugo House in Seattle. Then later I wrote “Georige’s Big Break,” which is part of the character Georgie’s storyline. So the first two pieces were designed to stand-alone and fit together as parts of a larger puzzle. From there I moved to sections that held interest for me, the parts I was ready to puzzle out. With limited writing time in any given day, I spend my time putting down the parts I’m most drawn to.

studbookQ: Could you describe your version of ‘dangerous writing’?

A: Perhaps it has to do with a relationship to audience–I’m not always writing to soothe or placate, but to move ideas around, taking risks with content, sometimes taking opposing sides, laying down idea-driven challenges, and drawing new paradigms that perhaps challenge established ruts or roles in contemporary culture, ways we’re taught to envision the lives of men and women.

Q: What challenges do you face when you write?

A: A tendency to procrastinate is always a challenge. And for all I can tell I might have adult ADD, but I do okay, wrestling my brain, putting my words on the page. And then there are external challenges–time, money, childcare, making time for other people. But on the best days, I can settle in to work, and keep moving the work forward. I have no problem in terms of ideas, thoughts, inspiration or writer’s block. There’s always more to work on, more than I’ll ever finish, it seems.

Q: What is your best advice for writers in 12 words or less?

A: Empathy.
Move into the world of your character’s your ideas.

Q: Sushi or pasta?

A: Everything in the right time and place! I’ve actually had both today. Mmmmm….

Q: When you are not writing what is your time occupied with?

A: Writing takes up all the time one might give it, ever expanding really. Beyond that, I’m busy teaching, taking my daughter to her events, hanging out with her, and with my husband, reading, and taking very long walks with the dog.

A: What books are on your night stand?

The nightstand is small and the pile is overflowing. There’s always something by Chelsea Cain, and I’m about to re-read Dora: A Headcase, by Lidia Yuknavitch. I also have amazing new work by Stephen Graham Jones I’m lucky to get to read before it is even in print–how cool is that?–and then the new longer story (or novella) by Joy Williams, just published as single on Byliner. I’ve just finished the graphic novel Calling Dr. Laura, by Nicole Georges, too. All good stuff.

Q: What’s next for you?

A: Onward! I have another novel in progress, a few essays in mind, a short story I’m drafting. More of the same and then more again!
Thanks for asking.

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Q & A with Lauren Kessler

Prolific author ImageLauren Kessler sent me this interview from the Ouky Douky on Hermonova Street in Prague before she boarded the night train. She’ll be teaching two workshops on Friday, June 21. To follow more of Lauren’s European adventure and her fascinating exploration of aging and anti-aging find her here.

Q: You’ve been working on an anti-aging research/writing project that is the basis for your new book Counter  Clockwise My year of hypnosis, hormones, dark chocolate, and other adventures in the world of anti-aging. Can you tell us about it,how it came about and if it was fun?

 

A: Let me answer the last question first:  It was fun.  A lot of fun.  The most fun I’ve had researching and writing a book.  But those who know something of my other work –my book about attempting to survive my daughter’s snarky passage into teen-dom, a book about the life lived by those with Alzheimer’s – will know that my notion of “fun” might be skewed.  I suppose anyone who thinks that going in for a muscle biopsy is “fun” – and I did – is suspect.

 

How did the book come about?  Like all of my more recent work, it came from two places: the personal and the journalistic.  As a midlife woman living in a culture that values the young, I am confronted every day with messages (subtle and not so) about how young is good and old is bad.  It’s made me think hard about what age means, which led me to the science of aging, which led me to the enormous difference between a person’s chronological age (birthday) and biological age (the actual age of the body).  I am basically fascinated with the human body in general.  When I read that scientists now believe that perhaps as much as 70 percent of biological aging is within our control, I was hooked.  I wanted to try to exert that kind of control over my own aging.  I wanted to delve into the science, immerse myself in that fascinating research world, but make it alive (and funny) but using myself as a guide.  Or, in this case, a guinea pig.

 

Q: Could you give us a list of your books?

 

A: My Teenage Werewolf: A Mother, A Daughter, a Journey through the Thicket of Adolescence; Dancing with Rose: Finding Life in the Land of Alzheimer’s (the paperback was published just under the subtitle); Stubborn Twig: Three Generations in the Life of a Japanese American Family; Clever Girl: Elizabeth Bentley, the Spy Who Ushered in the McCarthy Era; The Happy Bottom Riding Club: The Life and Times of Pancho Barnes; Full Court Press: A Season in the Life of a Woman’s Basketball Team; After All These Years: Sixties Ideals in a Different World.  I also wrote a book about the history of alternative journalism and co-wrote a health book with my husband, a science writer.  

 

Q: What are the chief advantages of guinea pig writing or immersion journalism that you practice?

 

A: For me, it’s a way of connecting directly with the reader.  I am a stand-in for the reader. I am you if you were crazy enough to do this, or had the time to check this out.  I am saying:  Follow me.  Together we’ll go exploring and make some sense of this – whatever “this” is. In writing this way, in using myself this way, I am hoping to invite the reader into the material, to make it accessible and personal and, I think, meaningful.  And I hope entertaining.

 

Q: Would you describe your approach as bad ass?

 

A: Well, I’m no Anthony Bourdain, but I do like to push myself, to test myself.  I want to explore…not fearlessly exactly… but with energy and excitement and an edge. I want and need to find out for myself, to put myself in the thick of things.  And I’ve got this, I guess, attitude.  This Oh yeah?  Really? Attitude.  And a skewed sense of humor. A dark-ish sense of humor.

 

Q: What challenges do you face when you write?

 

A: During the act of writing itself – which, incidentally, I adore, I live for – I face all the usual challenges:  time, focus, discipline, the way life conspires to rob me of the aforementioned.  The way I self-sabotage to rob myself of the aforementioned. There is always and forever the challenge to make something I am fascinated with fascinating to others, to entertain while informing, to wear the research lightly, to tell a good tale.  These are good challenges, welcome challenges, challenges within my control.  It’s the other challenges that are so difficult:  Persuading my agent, who needs to persuade an editor, that this idea I have, this (to me) endlessly fascinating idea I have, is commercially viable.  Breaking through to readers in a very very crowded and increasingly uncontrolled marketplace.  That is the tough stuff.

  Q: You’ve been working on an anti-aging research/writing project that is the basis for your new book Counter  Clockwise My year of hypnosis, hormones, dark chocolate, and other adventures in the world of anti-aging. Can you tell us about it,how it came about and if it was fun?

 

Q: What is your best advice for writers in 12 words or less?

 

A: It’s only a problem if you don’t admit it’s a problem.  (You owe me a word.)

 

Q: When you are not writing what is your time occupied with?

 

A: Laundry.  Well, actually not so much any more.  A few years ago, when all three of my children were still at home (only one is now), I was pretty much a fulltime laundress, part-time everything else.  Now:  Working out with the Sweat Chicas, my bad-ass exercise buddies; chicken wrangling (from 6 to zero hens depending on the appetite and ingenuity of resident raccoons); traveling; cooking; teaching narrative nonfiction in Portland. (The University of Oregon has a new program, and I’m its director.)

 

Q: What books are on your night stand?

 

A: I’m in Prague right now so I feel compelled to read Kafka.  As the long suffering mother of a 21st century teen, it’s great to read a guy who had such intense father issues.  

 

Q: What’s next for you?

 

A: I’ve got three ideas I’m noodling right now, reading, thinking, lots of thinking, walking around with the ideas in my head, letting them expand, contract, just roll around.  I am interested in, well, everything, so it takes a while to sort through and decide. Writing a book is a serious three year commitment for me.  I don’t take it lightly.

 

 

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Interview with Kari Luna

Kari Luna 1Q: How did you become a young adult author?

A: Completely by accident! if I look at my entire career as a copywriter, I might have seen a thread. My favorite projects involved creating an online teen magazine from scratch and writing, directing and producing over a hundred teen radio spots for a theme park one year. My short story narrators were often young, and I have always written little books for my nephews, but I always thought of that as a hobby. As it turns out, I love writing for children. I’ve always loved it. But when I finally sat down and wrote a book, I just wrote the story. It wasn’t intended for young adults, specifically.

Q: What are the things you’re most proud of having written, from any time in your life?

I’m pretty proud of a Dracula Book I wrote in second grade. I can still see the cover. Thinking about it now, the Dracula I drew looked like Don Draper with fangs. I’m proud of a collection of short stories I’ve been working on for years that I’ve dubbed “Fairly-Near Fables for Almost Adults.” Song lyrics, journals with drawings, letters to my grandmother, I’m proud of all of these things.  But I’m most proud of THE THEORY OF EVERYTHING. It was a labor of love that taught me so much about myself and the world.
Q: How would you describe your writing process? What routines help, and what challenges do you regularly face?
A: So far, my writing process is different with each project. Dipping in every day, for at least two hours, is a must. Even if it’s just research. Once I start something I lock down. I’m on a quest. And if I start it earnest and then stop, I feel physically off. Probably because even though I’m going about my business, doing my day job, the characters are now alive. They exist. And they get a little cranky if I don’t give them time. Can you blame them?
I face the same challenges every writer faces – balancing the writing with paying work, promotion, and life. If I could escape to a little cabin on the coast for one month at the beginning of a first draft and one month at the end, that would be ideal. But I’ve also learned that patience is essential and stories benefit from the gift of time. So maybe it’s actually a blessing that we have to juggle so many things with our writing lives. Oh! And never underestimate the value of filling the well. My writing process has become more about living the worlds I’m creating on the page, not just writing them. Dance, art, music, all roads lead to the story. It’s a pretty great way to live.
Q:What’s the strangest or most interesting thing you’ve ever written about or researched for a writing project?

A: I‘ve been in advertising for over fifteen years, so I researched a lot of weird things for that. Boots, tractors, printing presses, pickles. Giving myself a crash course in string theory was pretty interesting. Right now, though, I’m diving into a combination of ornithology, how to become a master perfumist, the science of scent and the afterlife. All of those, in combination, could keep me going for years. I adore learning new things! Especially the sciences.

Q: How do outside forces or the arts influence or shape your writing?

A: See above! No, really, this is my favorite part about writing novel-length works. Once I start building the world, it’s like my antennae is fine-tuned. All of a sudden, everything around me is part of the story. I’m writing about sparrows and I meet an amateur ornithologist. I write about an all-girl garage band in Paris and a DJ appears in a new social circle of friends who spins French Pop Music. Art and music are a part of my life, so they’re a part of my stories. I also love how, when you dedicate yourself to a story, the world rises up to meet you. Whether it’s the perfect song on the radio or that bird perched on your ledge, once you create the story, it show up. All around you.

Q: How do you take risks with your writing?

A: Sitting down and actually writing is the biggest risk of all. Making the time, choosing one story over another – and then dedicating yourself to it – it takes guts. Because at some point, you’re going to face yourself on the page. And digging in as opposed to running away? That’s risk. Sticking with the story and seeing it through, showing up when you’d rather run away to Costa Rica, these are the things of which merit badges are made. I also like high concept books, a huge cast of characters and oodles of imagination. These things aren’t always popular. So trusting my heart and doing it, anyway, may be the biggest risk of all.

Q: What is your best advice to writers in 12 words or less?

A: Dig in, find the stuff of your heart, and bring it out to play.

Q: Why do you write?

A: Because I can’t imagine life without it. I wrote advertising writing for years, which was creative in its own way, but it wasn’t until I wrote fiction that I felt like I’d come home. Writing is my solace, my connection to the world, my connection to myself. I have a great desire to help young people. To spread big ideas! And to create connections. I think writing books is how I do that. Plus, I find incredible joy in creating stories. I have the next three novel ideas and several smaller kid’s books just waiting to be written. Why stop now?
 Q: Sushi or pasta?

Sushi! My favorite food was always finger food, so I was thrilled when the Japanese version appeared.

 Q: What books are on your bedside table?

Fun! Let me take my laptop into the bedroom. Beware, my stack is always huge:

The Vanishers – Heidi Julavits
The Stud Book – Monica Drake
The Threads of the Heart – Carol Martinez
The Bird King – An Artist’s Notebook – Shaun Tan
Why We Broke Up - Daniel Handler and Maira Kalman
Taschen’s Paris Style Vol. II
Sparrow – Kim Todd
The Tibetan Book of the Dead
The Haunted Pool – George Sand

Q: What’s next for you?

A: Thanks for asking! I’m currently working on another novel – it’s a stand alone, not a sequel – and a super-secret top-secret project. Let’s just say that one involves birds, Paris and perfume, and the other is more in the planet/animal realm. What am I saying? Animals always sneak into my stories. Along with music. I’m so excited about these two stories and feel like the luckiest girl in the world every moment I spend with them. Since TTOE comes out in July, I’m also looking forward to meeting and talking with readers. I worked on it alone for such a long time. It feels surreal to have it out in the world! But it also feels great. Sharing a shaman panda with people? I’m pretty proud of that. :)

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Deadlines

Just a few reminders:

Deadline to register for Summer in Words: June 14, 2013

Deadline to send in your manuscript pages for critiquing: May 20, 2013cannon-beach-vibe

Deadline to obtain the group discount at Hallmark Inn & Resort: May 20, 2013

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Registration for Summer in Words 2013 is now open

Since space is limited, early registration is suggested. Discounted rates for hotel rooms at the Hallmark Inn and Resort are available through May 20. Image

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